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62:30 |
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Johann Sebastian Bach (1685-1750) |
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Sonata No. 1 for solo violin in G minor, BWV 1001 |
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15:10 |
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1 |
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1 I. Adagio |
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3:40 |
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2 |
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2 II. Fuga |
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5:11 |
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3 |
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3 III. Siciliana |
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3:10 |
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4 |
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4 IV. Presto |
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3:09 |
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Partita No. 1 for solo violin in B minor, BWV 1002 |
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25:34 |
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5 |
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5 I. Allemanda |
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4:09 |
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6 |
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6 II. Double |
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2:23 |
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7 |
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7 III. Courante |
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2:53 |
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8 |
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8 IV. Double |
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3:44 |
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9 |
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9 V. Sarabande |
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3:44 |
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10 |
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10 VI. Double |
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3:12 |
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11 |
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11 VII. Tempo di Borea |
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3:06 |
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12 |
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12 VIII. Double |
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2:55 |
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Sonata No. 2 for solo violin in A minor, BWV 1003 |
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21:29 |
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13 |
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13 I. Grave |
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3:53 |
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14 |
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14 II. Fuga |
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7:33 |
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15 |
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15 III. Andante |
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5:01 |
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16 |
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16 IV. Allegro |
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5:02 |
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68:20 |
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Johann Sebastian Bach (1685-1750) |
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Partita No. 2 for solo violin in D minor, BWV 1004 |
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28:35 |
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1 |
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1 I. Allemande |
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4:15 |
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2 |
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2 II: Courante |
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2:22 |
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3 |
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3 III. Sarabande |
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3:56 |
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4 |
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4 IV. Gigue |
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3:54 |
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5 |
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5 V. Chaconne |
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14:08 |
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Sonata No. 3 for solo violin in C major, BWV 1005 |
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21:53 |
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6 |
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6 VI. Adagio |
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3:56 |
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7 |
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7 II. Fuga |
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9:42 |
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8 |
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8 III. Largo |
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3:33 |
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9 |
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9 IV. Allegro assai |
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4:42 |
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Partita No. 3 for solo violin in E major, BWV 1006 |
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17:32 |
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10 |
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10 I. Preludio |
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3:20 |
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11 |
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11 II. Loure |
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4:20 |
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12 |
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12 III. Gavotte en Rondeau |
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2:54 |
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13 |
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13 IV. Menuett I |
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1:36 |
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14 |
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14 V. Menuett II |
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2:23 |
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15 |
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15 VI. Bourrée |
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1:19 |
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16 |
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16 VII. Gigue |
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1:40 |
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Award-winning violinist Christian Tetzlaff continues his highly successful series of chamber music recordings on Ondine with a new recording of Sonatas and Partitas for Solo Violin (BWV1001–1006) by Johann Sebastian Bach (1685–1750).
Bach’s Sonatas and Partitas have an iconic status in the violin repertoire. Yet, little is known about the background of these fascinating works. Bach’s autograph manuscript is dated in Köthen in 1720, and it is commonly considered as the year when the cycle was completed. In his booklet notes Christian Tetzlaff offers fascinating perspectives to these masterpieces.
Christian Tetzlaff is considered one of the world’s leading international violinists and maintains a most extensive performing schedule. Musical America named him ‘Instrumentalist of the Year’ in 2005 and his recording of the violin concertos by Mendelssohn and Schumann, released on Ondine in 2011 (ODE 1195-2), received the ‘Preis der deutschen Schallplattenkritik’. He has recently been awarded an ECHO as ’Best Instrumentalist’ for his recording of Brahms Sonatas with Lars Vogt. In addition, in 2015 ICMA awarded Christian Tetzlaff as the ‘Artist of the Year’. His recordings on Ondine with Brahms’ Trios (ODE 1271-2D) and Violin Concertos by Dvorák and Suk (1279-5) released
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